CONTENTS

 
   about
   MICHAEL BETANCOURT NEWS
   movies: AESTHETICS
   movies: NEWS & REVIEWS
   movies: SHOWS & SCREENINGS
   random art notes
   random how-tos
   research: AVANT-GARDE MOVIES
   research: MOTION GRAPHICS
   research: VISUAL MUSIC
   theory: CRITICAL OBSERVATIONS
   theory: DIGITAL CAPITALISM
   theory: GLITCH & POSTDIGITAL
   theory: working notes

 

PORTFOLIO

 
Movies by Michael Betancourt

 michaelbetancourt.com
 Art of Light Organization
 Going Somewhere
 exhibitions [pdf]
 updates
 books
 contact
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SEARCH ARCHIVES

archives begin in 1996

  
 
avant-garde movies, motion graphics, and theory
 
by Michael Betancourt
 

This site presents extracts from Michael Betancourt's current research and writing projects, with news about current developments. A portfolio of finished, published writing is available here.

His trilogy of studies on film theory using title sequences as a model uniting avant-garde, documentary and commercial motion pictures were published in the Routledge Studies in Media Theory and Practice series: Semiotics and Title Sequences, Synchronization and Title Sequences, and Title Sequences as Paratexts.

If you are looking for more on agnotology, digital capitalism, or automated/immaterial labor and AI, look at The Digital, which presents links to his most recently published articles and other research on the political economy of digital capitalism contained in his books The Critique of Digital Capitalism and Force Magnifier. This analysis identifies how digital technology has captured contemporary society in a reification of capitalist priorities that includes the shift to automation and AI. The theory proposed in this book is the description of how digital capitalism as an ideologically invisible framework is realized in technology.

You can watch his movies here.

More articles, reviews, interviews, and translations are posted on MichaelBetancourt.com


 


PreOrder Cinematic Articulation in Motion Graphics

story © Michael Betancourt | published May 25, 2021 | permalink | TwitThis Digg Facebook StumbleUpon  |  Print



research: MOTION GRAPHICS

Michael Betancourt's Cinematic Articulation in Motion Graphics develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions.

This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critically marginalized productions by showing the fundamental connections that link all moving imagery and text, whether it tells a story or not.

This insightful work will appeal to students and academics in film and media studies.


PreOrder from Routledge here




read more



 
Die Leere Mitte Issue 10

story © Michael Betancourt | published May 21, 2021 | permalink | TwitThis Digg Facebook StumbleUpon  |  Print



MICHAEL BETANCOURT NEWS

In issue 10: Randee Silv, Angela Caporaso, Michael Betancourt, Marjan Zahed-Kindersley, Mark Young, Joseph Salvatore Aversano, Christopher Clifton, Nico Vassilakis, Mario Jos Cervantes.

Edited in Berlin by Horst Berger and Federico Federici

download the issue | download the cover

purchase the print edition: Lulu |amazon.com | .de | .it | .uk| .au






 
Illustrator Glitch Experiments

story © Michael Betancourt | published March 15, 2021 | permalink | TwitThis Digg Facebook StumbleUpon  |  Print



theory: GLITCH & POSTDIGITAL

Here are several experiments with generating glitches using software that isn't normally engaged for glitching, Adobe Illustrator:









 
E-Book Versions for Online Classes

story © Michael Betancourt | published December 29, 2020 | permalink | TwitThis Digg Facebook StumbleUpon  |  Print



MICHAEL BETANCOURT NEWS

One of the problems with teaching going online is the accessibility of textbooks. Here are links to ebook versions of some of my books for anyone who needs them:

The History of Motion Graphics

A Short Guide to Writing About Motion Graphics

Force Magnifier: The Cultural Impacts of Artificial Intelligence

Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics

Semiotics and Title Sequences: Text-Image Composites in Motion Graphics

Title Sequences as Paratexts: Narrative Anticipation and Recapitulation

Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics

Typography and Motion Graphics: The 'Reading-Image'

Ideologies of the Real in Title Sequences, Motion Graphics and Cinema

Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion, and Space

The Critique of Digital Capitalism






 
Now Available - The Book of Dissolution

story © Michael Betancourt | published December 23, 2020 | permalink | TwitThis Digg Facebook StumbleUpon  |  Print



MICHAEL BETANCOURT NEWS

This work of visual poetry is composed from forty-two carefully curated compositions produced between 1998 and 2020. Dissolution means the decomposition into fragments or parts, a disintegration that returns the established order to its component elementsbut this breaking up does not mean an end to order, merely the conversion from one state to another, more dynamic one. These images are a meditation on this process of ordering and transformation. These images are a meditation on this process of ordering and transformation, a sequence of images, like an animation without the in-between frames.