There is an analogous relationship between technological translations of data from one type to another with synaesthetic responses: the transcoding of electromagnetic telemetry by Dr. Donald Gurnett is one a striking and direct examples of this type of sonification of non-sound data; however, it is also, in many ways, a non-significant transfer: the data in question are readings of wave-form encounters. The electromagnetic information produced from the Cassini mission, among others, has a long-recognized analogous relationship to sound, so the transfer from light waves to sound waves should come as no surpriseeach is a physical phenomenon whose transfer is less dramatic than the cross-modal sensory transfers familiar from synaesthesia.
Terrorism is a terrible thing, but fortunately for most of the world, it is also very rare; "aesthetic terrorism," however, isn't. It has certain features in common with the more violent variety: a fanatical devotion to a singular, unchanging world; the need to enforce doctrine on everyone uniformly; aggressive responses to deviations; and--most importantly--an inability to recognize that alternatives to dogma not only do exist, but are also equally valid positions.
Conceptual art in the 1960s appeared at the same moment when it started to become possible for artists to stop making art and instead simply direct a computeror other machineto do it for them.