CONTENTS

 
   about
   MICHAEL BETANCOURT NEWS
   movies: AESTHETICS
   movies: NEWS & REVIEWS
   movies: SHOWS & SCREENINGS
   random art notes
   random how-tos
   research: AVANT-GARDE MOVIES
   research: MOTION GRAPHICS
   research: VISUAL MUSIC
   theory: CRITICAL OBSERVATIONS
   theory: DIGITAL CAPITALISM
   theory: GLITCH & POSTDIGITAL
   theory: working notes

 

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Glitch Theory: Art and Semiotics by Michael Betancourt
Movies by Michael Betancourt

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SEARCH ARCHIVES

archives begin in 1996

  

Fischinger Films, a family project

story © Michael Betancourt | published December 13, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



research: VISUAL MUSIC

Oskar Fischinger's brother Hans also worked in film according to the Cinovid database.




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Kinetic Painting

story © Michael Betancourt | published December 9, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



random art notes

"Kinetic Painting" is a particular kind of visual performance that is related to visual music created with color organs, but instead of using a mechanical device, it is performed with various kinds of projector (usually an overhead projector) live for an audience. Both Norman Perryman and The Lumonics Theater are examples of this type of visual music.






 
Articulated Light

story © Michael Betancourt | published December 7, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



research: VISUAL MUSIC

The catalog for Articulated Light: Abstract Film in America is on-line (RTF format) in the Vasulka archive. This is a good catalog with essays and historical information about the entire program.





 
Polish Avant-Garde Film

story © Michael Betancourt | published December 6, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



research: AVANT-GARDE MOVIES

Marcin Gizycki has a nice history of the development of avant-garde film in Poland. "There was no organized avant-garde film movement in Poland before WW2, which does not mean that there were no avant-garde films made. This paradox is easily explained. A number of artists more or less connected with avant-garde circles worked separately on films or film-related projects...."






 
MIAMI UNSEEN

story © Rey Parla | published December 5, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



theory: CRITICAL OBSERVATIONS

I went to the Art Basel convention center exhibition on Saturday. I was standing in line when suddenly luck strikes me, or was it, an interesting woman, maybe a French collector, tapped me on the shoulder and says here, I am leaving, this is your permanent pass!




read more (125 words)