CONTENTS

 
   about
   MICHAEL BETANCOURT NEWS
   movies: AESTHETICS
   movies: NEWS & REVIEWS
   movies: SHOWS & SCREENINGS
   random art notes
   random how-tos
   research: AVANT-GARDE MOVIES
   research: MOTION GRAPHICS
   research: VISUAL MUSIC
   theory: CRITICAL OBSERVATIONS
   theory: DIGITAL CAPITALISM
   theory: GLITCH & POSTDIGITAL
   theory: working notes

 

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Glitch Theory: Art and Semiotics by Michael Betancourt
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SEARCH ARCHIVES

archives begin in 1996

  

D-I-Y Home Stereo from Computer Parts!

story © Michael Betancourt | published May 10, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



random how-tos
Instructions

These instructions show how to modify a computer hard drive and other computer parts to make your own stereo! Useful for playing back all sorts of eccentric soundtracks.






 
Pixel Pointillism

story © Michael Betancourt | published May 9, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



theory: working notes
This week I was again struck by how much pixels have in common with the pointillist dots in paintings: small, atomic bits that together create an image through optical mixing: that is, the dots merge with distance to form an apparent continuity.




read more (118 words)



 
Free-form Optics for Computer Graphics

story © Michael Betancourt | published May 5, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: AESTHETICS
This page has a very cool suggestion that exploits the innate ability of CGI to ignore real-world physical laws: configurable camera optics that can "shoot" multiple angles of their "subjects." The possibilities for this concept are really interesting. CGI need not be such a slavish imitation of the cameras we're all familiar with.




 
Mind-Altering Sounds?

story © Michael Betancourt | published May 2, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: AESTHETICS
Link Here

This company claims it can use sound to "change your mind." I'm not sure I really believe this kind of claim, but this kind of thing's been around for a long time.

Article Here

Opinions? I've never worked with this kind of sound/technology, but I know of people who do use it for their performance work. But what I want to know is, is this needlessly manipulative?






 
MIT Student Paper Interviews MPAA's Jack Valenti

story © Michael Betancourt | published April 28, 2004 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



theory: CRITICAL OBSERVATIONS

Article Here

Valenti clearly shows "whose side" he's on in the debate about copyright, ownership and the ability of everyone else to live without corporate control.