CONTENTS

 
   about
   MICHAEL BETANCOURT NEWS
   movies: AESTHETICS
   movies: NEWS & REVIEWS
   movies: SHOWS & SCREENINGS
   random art notes
   random how-tos
   research: AVANT-GARDE MOVIES
   research: MOTION GRAPHICS
   research: VISUAL MUSIC
   theory: CRITICAL OBSERVATIONS
   theory: DIGITAL CAPITALISM
   theory: GLITCH & POSTDIGITAL
   theory: working notes

 

PORTFOLIO

 

 michaelbetancourt.com
 Art of Light Organization
 Going Somewhere
 exhibitions [pdf]
 updates
 books
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 purchase artworks

Glitch Theory: Art and Semiotics by Michael Betancourt
Movies by Michael Betancourt

  Video Art listserv
 




 

SEARCH ARCHIVES

archives begin in 1996

  

Victims

story © Michael Betancourt | published August 22, 2000 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: NEWS & REVIEWS

Narrated by Tom Gormley




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Malfunction

story © Michael Betancourt | published February 2, 2000 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: NEWS & REVIEWS

I made malfunction by experimenting with editing the video codex and re-encoding the video in Adobe Premiere.






 
New Movie - Postcard Film - a palimpsest!

story © Michael Betancourt | published December 18, 1999 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: NEWS & REVIEWS





 
Video is Dead, Long Live Video!

story © Michael Betancourt | published September 28, 1999 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: AESTHETICS

Let's begin with a statement so absurd, so against the grain of common knowledge that it will require some discussion to explain what is meant by it: "Video is a dead medium." Ridiculous. Impossible! Video is everywhere.... The technology we call video has been replaced by a newer technology with a higher degree of control over the image, a slightly different characteristic curve, and sharper images. Incidentally -- and not accidentally -- we call this new technology "video." There is a high degree of overlap between the two.




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n-dimensional objects

story © Michael Betancourt | published September 24, 1998 | permalink | TwitThis Digg Facebook StumbleUpon  |  View Printable Version



movies: AESTHETICS

Memory, most fickle of dimensions, is key to our experience of encountering these diminutive objects. The act of looking is as much a matter of our remembering what we saw a moment ago as it is a biological tapestry of rods and cones, neurons and synapses firing in a specific pattern. What we think we see is not always what is actually present before us. Desires and emotions color our experiences even as they cloud our recollections after the fact. For all of us, any movement through space entails a certain degree of movement through our memories of that space and our beliefs about what we will see next. We live in a network of overlapping spheres of memory and anticipation, the unseen dimensions of our worlds.




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